Sadie hasn’t had an easy life. Growing up on her own, she’s been raising her sister Mattie in an isolated small town, trying her best to provide a normal life and keep their heads above water.
But when Mattie is found dead, Sadie’s entire world crumbles. After a somewhat botched police investigation, Sadie is determined to bring her sister’s killer to justice and hits the road following a few meager clues to find him.
When West McCray—a radio personality working on a segment about small, forgotten towns in America—overhears Sadie’s story at a local gas station, he becomes obsessed with finding the missing girl. He starts his own podcast as he tracks Sadie’s journey, trying to figure out what happened, hoping to find her before it’s too late.
Both of us were pretty blown away by this novel. The way in which the story is told – podcast transcripts alternating with first-person narration – could have been absolutely awkward and clunky in the hands of a lesser author, but Courtney Summers’ subtle hand and complex approach to character results in a novel that is a simple and quiet masterpiece.
Although the book is touted as a thriller in its marketing, I would disagree. It’s certainly a page-turner, as many YA novels are (readability being a thing that YA authors tend to strive for, for some reason), but to me “thriller” connotes a sense of cheapness, of base tricks employed to keep my interest going until the last page. Sadie is remarkable for its respect of its subject matter, and for the way in which it makes us confront our reliance on established narratives to explain away the people who get lost in the margins of our world.
Discussion questions below the cut!
World's Smallest Book Club 